Apr 252013
 

Captain PlanetThis week’s minorities in cartoons entry is “Captain Planet and the Planeteers.” Debuting in 1990 on TBS (back when they ran cartoons that weren’t “Family Guy”), the series ran for six seasons, and continues to air in reruns today.

The series was created to promote environmental awareness among youths watching, and was one of the first major cartoons to do so. The show’s premise: Gaia, the “spirit of the Earth,” grows annoyed at seeing the environmental damage that mankind’s wrought. To that end, she decides to form the “Planeteers” as a way of spreading the message of ecology and to directly combat the series’ worst polluters, a set of recurring supervillains collectively dubbed “Eco-villains.” Gaia gives five special rings to five different youths from around the world, each ring possessing a special elemental power. The Planeteers consist of:

  • Kwame, a Black African (from Ghana, per Wikipedia) who serves as the group’s de facto leader. His ring has the power of “Earth,” allowing Kwame to generate small earthquakes, shift pieces of the ground, drill through the ground, and other seismic effects.
  • Gi, from China (per Wikipedia). Her ring has the power of “Water,” which lets her control water to various effects (creating waves, waterspouts, etc.). Gi also has an interest in marine biology.
  • Wheeler, a Caucasian youth from New York. Wheeler has the power of “Fire,” allowing him to generate flames or control fire to various degrees. The least environmentally knowledgeable member of the group (but well-meaning), Wheeler also tends to be impetuous. Wheeler sometimes tries to (unsuccessfully) flirt with fellow Planeteer Linka.
  • Linka, from the Soviet Union (later changed to “Eastern Europe” post-USSR breakup). Linka has the power of “Wind,” letting her generate or control wind.
  • Ma-Ti, from the Amazon rainforest in South America. Ma-Ti has the power of “Heart,” which usually allows him to communicate telepathically with people and animals, as well as instill a sense of empathy in others. Ma-Ti also has a pet monkey named Suchi.

By combining their five rings’ powers, the Planeteers can summon “Captain Planet,” a mullet-wearing superhero (I know…it was the early 90s) with the standard Captain Marvel/Superman-style superpowers (flight, strength, super-speed, etc.). Cap would use his powers to quickly take care of situations too much for the individual Planeteers to handle, usually while spouting off a few situation-appropriate puns. Unfortunately, Captain Planet’s chief weakness is excessive levels of pollution, though high levels of hate (such as those by Hitler…long story) can also disable him. When Cap’s around, the Planeteers’ rings are non-functional.

The “Eco-villains” tend to be rather one-note about their motivations: Hoggish Greedly (presumably, despite nothing else in common, a pun on the name of 19th century American figuure Horace Greeley) is an obese, greedy businessman who tends to be wasteful in his industries’ operations; Looten Plunder engages in weapons dealing, etc.; Dr. Blight misuses science for typical mad-scientist ends; and Duke Nukem (no relation to the video game) is a walking radioactive mutant who misuses nuclear power for his own ends.

As I noted in my Earth Day post, while the show was well-intended, it could sometimes take a heavy-handed approach to its lessons, or come off as rather preachy. Thus, the series was subject to plenty of parodies in the 90s and 2000s.

That said, “Captain Planet” did break ground in various ways aside from its ecology focus. The Planeteers are a diverse group, and “diverse” in this case meant more than just adding one African-American character to an otherwise all-Caucasian (or depending on the show,  all-Caucasian-and-funny-animal) cast, as was common in animated series at the time. The cast (including Gaia and Dr. Blight) has various female characters, most of who’d pass the Bechdel Test. The sole Caucasian American protagonist, Wheeler, isn’t presented as the show’s default star (beyond appealing to American viewers) or as the leader of the group. Linka represents a positive portrayal of Eastern Europeans/Soviets during the (late) Cold War, a rarity in American media of the time. Even rarer might be Kwame, who’s one of the few Black African recurring characters in American animation—or American TV period.

The series also features some celebrity voice artists: Kwame was voiced by LeVar Burton (Geordi LaForge of “Star Trek: The Next Generation”), while Gaia was voiced in earlier seasons by Whoopi Goldberg. Latter seasons saw Margot Kidder (Lois Lane in the 70s/80s “Superman” movies) voice Gaia. Ed Asner (of “The Mary Tyler Moore”) was the voice of Greedly. This wouldn’t be the first project to feature Burton and Asner together, as both starred in the classic 70s TV miniseries “Roots,” where Burton also played a Black African character.

Apr 252013
 

Xubuntu logo (light)Xubuntu 13.04 (“Raring Ringtail”) is being released today. Xubuntu, of course, is the Xfce-based version of Ubuntu that’s become a popular alternative to its Unity-based bigger sibling. Xfce, while not as feature-packed a desktop environment as GNOME, KDE, etc., still holds its own pretty nicely, while not being as resource-intensive. The latter is one reason why I’ve opted to install Xubuntu on my mother’s PC.

13.04 isn’t a long-term release like 12.04, and thus its support period will only last until October 2014. The support length for non-LTS Ubuntu versions/variants has been shortened from three years to 18 months.

There’s no major, groundshaking changes with Ringtail. The biggest changes are:

  • Xubuntu image sizes have been increased, and as such will no longer fit on a standard CD.
  • Gnumeric (the spreadsheet program) and GIMP (the graphics editing program) have been reintroduced as part of a default installation, as a result of the increased image size.
  • Some software and theme updates.
  • Duplicate partitions will no longer be displayed on the desktop or in Thunar (the file manager for Xfce).

Xubuntu 13.04, plus the 12.04 LTS version, can be downloaded from here.

While it applies mainly to the 12.04 LTS release, my post-installation guide is still applicable toward 13.04.

Apr 242013
 

"Legendary Sandwich"Tuesday night marked the premiere of “Teen Titans Go!,” a spinoff of the 2000s “Teen Titans” series. Unlike the original show, which had humorous moments occasionally, “Go!” is fully comedic. Each half-hour of “Go!” consists of two 11-minute-long episodes. Despite the show’s title, there’s no relation to the “Teen Titans Go!” comic book based on the original series.

The animation and writing style resembles the “New Teen Titans” animated shorts produced for “DC Nation.” Like those shorts, the Titans are drawn in a cuter, more cartoonish style (most noticeable with Raven), plus an emphasis on comedy, though the Titans see some action in tonight’s first short.

The one flaw I see so far is the mediocre Flash animation. I admit I’m not wild about Flash animation to begin with, preferring a more traditional animation style. I presume saving money is the only reason TV’s jumped heavily into Flash animation over the past decade, with most of said shows not bothering to make it look like the better-animated Flash series (“6Teen,” “Total Drama Island,” etc.).

The above criticisms aside, I did find tonight’s episodes amusing, leaving a much more favorable impression so far than my first exposure to “The Looney Tunes Show” (another Cartoon Network retooling of an earlier successful series). Thus, I’ll be back next week…

On to tonight’s episodes. Yes, SPOILERS ahead.

“Legendary Sandwich”

Plot: To get the other Titans out of her hair, Raven sends them on a quest across the globe (and galaxy) to collect ingredients for a legendary, powerful…sandwich.

Parts I liked:

  • Robin’s “quest”… at the supermarket. Right down to a hard-to-turn front wheel on his shopping cart.
  • The “My Little Pony” bits. Raven’s a fan (complete with DVRed episodes)…who knew?
  • Raven’s mystic (and anti-climatic) assembly of said sandwich.

One question: is Beast Boy still a vegetarian in this series? He seemed awfully eager to chow down on a bacon-filled sandwich, unless he planned to pick the bacon off…

“Pie Bros”

Plot: Beast Boy gets a job at Mother Mae-Eye’s pie shop to raise money to buy a video game for Cyborg’s birthday.

Parts I liked:

  • Cyborg in general.
  • The darker side of Mother’s pie shop.
  • The birthday party scene. (Liked the Superman and Batman birthday cards in the background…)
  • The closing moment with a uniform-torn-to-bits Robin.

I liked the first episode more than the second, but this one had its enjoyable moments.

Apr 232013
 

The FoxThis week, Archie’s announced that a revival of their classic Red Circle superhero series “The Fox” is coming this fall, with Mark Waid (of 90s “Flash” comics fame) as the series’ writer. Meanwhile, the “New Crusaders” followup series “Dark Tomorrow” will be pushed back until early 2014, for unspecified reasons.

I’m sorry to see the debut of the second “New Crusaders” series get pushed back. I’m hoping this isn’t a quiet way of killing it off altogether, akin to Archie’s proposed “Veronica and Betty Magazine” that ultimately never debuted. The Red Circle characters do seem to still have some following, even if not on the level of Marvel or DC superheroes.

I do plan on giving “The Fox” a go. While I don’t know much about the character, Mark Waid writing the series has made me interested.

For the uninitiated, “Red Circle” is the name of Archie’s superhero imprint, as a way of publishing more serious-toned superhero stories under a separate banner from Archie-proper. The company’s superheroes date back to the Golden Age, when the company (then named “MLJ”) relied on its roster of superheroes before finding much more success with Archie Andrews (introduced as a backup story character in “Pep Comics” #22 in 1941).

Apr 222013
 

The LoraxEnvironmentalism in cartoons seems to get treated at variable extremes. On one extreme is the “Captain Planet and the Planeteers” method, where the environmental messages are treated in a heavy-handed and/or preachy fashion more often than not. On the other extreme are cartoons (largely adult-oriented ones) that seem to side with the AM talk radio crowd’s view of things: mocking those concerned about climate change, portraying anyone concerned about endangered species/renewable energy/etc. as “a bunch of whiny hippies,” etc.

Still, there’s some cartoons that convey an environmentally friendly message (or feature the subject of ecology) without feeling forced or mocking.

It’s Arbor Day, Charlie Brown

This 1976 “Peanuts” special features the gang preparing for Arbor Day by… turning Charlie Brown’s baseball field into a garden, complete with scarecrows in the outfield, etc. This special’s often cited as one of the odder ones in the run, since it’s dedicated to a holiday that was already growing obscure by the 1970s.

The special is included as an extra on the recent DVD versions of “It’s the Easter Beagle, Charlie Brown.” It’s also included in the “Peanuts: 1970s Collection, volume 2″ box set.

The Lorax

The classic Dr. Seuss book about environmental wastefulness received a 1972 animated TV special. One interesting aspect in the special is a scene where the Once-Ler notes if he shuts down his factory, he’ll put hundreds of people out of work, to which the Lorax admits he doesn’t have an easy answer.

“The Lorax” received an animated treatment again, this time in a 2012 CGI animated feature where Danny DeVito voices the Lorax. This one took quite a few liberties with the original book, however—the Once-Ler is a visible character, for starters. There’s also the controversy its advertising campaign raised, including questionable merchandising tie-ins with disposable diapers and an SUV.

Mutts

Patrick McDonnell’s comic strip “Mutts” often focuses year-round on topics such as ecology or animal related issues, such as adopting pets from a shelter. While the strip obviously is much closer to “Captain Planet” than “AM talk radio meatheads” territory, it’s not as heavy handed as the former was sometimes. The strip’s animal adoption aspects reflect McDonnell’s real life involvement in such efforts. McDonnell’s also a vegetarian, though a butcher’s shop in the strip (the “Fatty Snax Deli”) is a regular “haunt” for Earl and Mooch.

Dinosaur Train

While “Dinosaur Train“‘s main concern is, of course, teaching basic facts about dinosaurs, there’s also a strong emphasis on nature and the outdoors. Within the show, Buddy and his pteranodon siblings have formed a “nature trackers” club for such a purpose. Meanwhile, the live-action segments often have the show’s resident paleontologist “Dr. Scott” urge viewers to get outside and enjoy nature. Dr. Scott Sampson’s own blog/Twitter feed places an even heavier emphasis on nature/the environment, when not discussing paleontology issues, of course.

(Update: 4/22/13)

Captain Planet and the Planeteers

Despite the above criticisms of “Captain Planet,” I did watch this show when I was a teenager, so thought I’d throw it in anyway. Yes, it could be clunky at times in how it handled environmental issues, or issues like drug abuse. (As well meaning as the drug abuse episode was, parts of it became mocked among me and my siblings…) Still, it’s one of the first animated TV shows (and still the signature one) to address environmental issues. It’s also one of the few cartoons produced during the Cold War to present Russian characters in a flattering light, plus is still one of the few cartoons (maybe few TV shows period) to present Black Africans (versus African-Americans) as recurring characters. (Yeah, I’ll probably be using the show’s characters for future “minorities in cartoons” installments…)

Boomerang usually airs a marathon of “Captain Planet” episodes every year on Earth Day.

Apr 212013
 
GoComics app

The GoComics app, on Android.

As reported by Engadget, Universal Uclick’s released a comics viewing app for Android, iOS, and Windows Phone based devices. Universal Uclick is a national syndicate formed by a merger a few years ago of online site Uclick and traditional newspaper comic strip syndicate Universal Press Syndicate. While Universal’s comics have been available for years for viewing through their website (www.gocomics.com), one can now view them through this app, as well. Strips I enjoy reading via Uclick include “FoxTrot,” “Doonesbury,” “Luann,” “Baldo,” “La Cucaracha,” and “Pearls Before Swine.” Other classic strips carried as reruns include “Peanuts,” “For Better or For Worse,” and “Calvin and Hobbes.”

My brief look at the app (on my Nexus 7 tablet) shows it seems nice enough, with the same functionality as the website: the ability to forward to others links to favorite strips, as well as bookmark favorites. Unfortunately (as of this writing), the app wouldn’t let me log in to my Uclick account. However, the Google Play store description has a response stating they plan to fix this in an update very soon.

Since I usually read newspaper comics on my desktop each morning, I probably won’t make heavy use of this app. However, it might be useful for trips away from home, when I’ll be more reliant on my tablet, and don’t feel like firing up my laptop. Of course, I’d still have to read the non-Uclick strips I enjoy (“Mutts,” “Edge City,” etc.) via other means.

Apr 182013
 

Action Comics #1Today marks the 75th anniversary of the date “Action Comics” #1 (cover-dated June 1938) went on sale on newsstands. “Action” #1 is, of course, the first appearance of the Man of Steel himself, Superman. As such, there’s been plenty of online buzz about Superman today.

“Action” #1 also marks Lois Lane’s first appearance, and thus she’s also garnering buzz of her own (via a Twitter hashtag campaign, etc.).

I generally consider Superman to be my favorite superhero, even if he’s not “cool” or as “relatable” as, erm, a billionaire who mostly hangs out in a glorified basement of his deceased parents’ house, or, uh, a burly Canadian with Ginsu knives for hands. (I like Batman and Wolverine too, just kidding…) A few reasons why I’ve always liked Superman:

  • Despite suggestions by some fans he isn’t, I do relate to some aspects of his origins. We’re both from small Midwestern towns; we both wear glasses; we both have an interest in media. We even both left said small towns to move to bigger cities for more opportunities. Granted, I never baked a giant-sized cake for my hometown as a going-away gift…
  • I like Superman’s sense of altruism and optimism, which given recent events as of this writing, are even more important than ever. It seems unfortunate that such is considered as “old-fashioned” or “not realistic enough” as a motivating factor toward becoming a hero. Though if such backstory trauma’s needed, there’s the fact that Superman’s entire home planet blew up; additionally, in many continuities, his foster parents are deceased.
  • I like Superman’s powers. Flight, super-vision, super-speed, etc. I even like the goofier ones, such as “super-ventriloquism.” As powerful as he was in the 50s/60s, it didn’t bother me the way it seems to do so for some fans. Then again, some people seem to think Kal-El’s “too powerful” if he displays anything above his 1938-power-levels, as illustrated in this post’s picture. I figure, he’s “Superman,” not “Adequate-man”…
  • Superman’s supporting cast is also terrific. Jimmy Olsen, Perry White, Ma and Pa Kent (when not deceased)…and yes, Lois Lane, too. Other DC heroes have also made a mark in the Superman books over the years. Aquaman has made various appearances in Silver Age Superman stories, to the point that they even gave the Sea King the honor of being Earth-1′s longest-serving superhero aside from Superman (by debuting during Superboy’s era as “Aquaboy”). Of course, the most frequent team-ups of all were with Batman. Superman’s spent decades teaming up with the Masked Manhunter in the pages of “World’s Finest Comics,” as well as its more generically-named modern counterpart “Superman/Batman.”
  • I like Superman’s villains as well. Brainiac and Luthor, of course, are great villains; I still think Brainiac would make a good villain for a Superman movie, especially with Hollywood’s love of CGI. I enjoy the less famous villains as well: the Toyman, Mr. Mxyzptlk, Terra-Man, the Parasite. OK, so I could do without Doomsday… never liked the stupid bad-Hulk-knockoff plot device—er, character.
  • Not quite Superman, but I’ve also always liked Superboy, Superman’s adventures as a teenager. As a kid, watching the Filmation cartoons of Superboy was one of my first introductions to superheroes in general, as well as Superman himself. That is, when I wasn’t watching the Man of Steel in “Super Friends” or the Christopher Reeve films. Even as an adult, I still like the Boy of Steel. Pre-New 52-reboot Kon-El was OK too, but definitely not the same…though at least he crossed over a few times with the Kal-El Superboy (one of “Zero Hour”‘s few redeeming traits, as well as the later use of the short-lived “hypertime”).

Finally, here’s a few other blogs discussing Superman’s 75th:

  • DC Women Kicking Ass discusses Lois Lane’s role in comics over the decades.
  • Ty Templeton discusses his work on the Man of Steel.
  • Written a few years ago, but still worth reading: Comics Everybody’s hilarious summarization of the history of Superman, in two parts.

 

Apr 182013
 

LoboThis week’s minorities in cartoons entry is Lobo. No, not the more familiar DC Comics alien bounty hunter, but a Western hero published by Dell during the 1960s. Lobo’s significance is being comics’ first recurring African-American character to headline his own comic book series. While there are preceding comics starring Black characters, they tended to either be one-shot stories (such as “Negro Romance“) or about Black Africans. Lobo was created by Dell writer Don Arneson and artist Tony Tallarico.

“Series” might be a technicality, as only two issues of “Lobo” were published, one in December 1965 and the second in September 1966. The premise was that Lobo (a nickname given to him by his adversaries; his real name’s unknown) was a former Civil War Union soldier who’d moved out west to start a new life. Unfortunately, he was framed for a robbery/murder he didn’t commit, and found himself at odds with others, including law enforcement. Similar to the Lone Ranger, Lobo then decided to become a heroic gunslinger, righting various wrongs in the Old West. Lobo’s signature “calling card” was leaving a gold coin with an “L” stamped on it on the foreheads of those he’d defeated. Lobo had gained the gold via a prospector he’d rescued leaving Lobo his gold mine.

According to Toonopedia, the reason for the short run was that many newsstands of the time refused to carry a comic starring a non-stereotypical Black character, and thus many issues were returned to Dell unsold. Like most Western characters in comics, Lobo’s been in comic book limbo since his second and final issue. However, there’s still at least one happy outcome: his co-creator Tallarico was honored by the East Coast Black Age of Comics convention in 2006 for his work in creating Lobo.

 

Apr 172013
 

Eisner AwardThis year’s Eisner Award nominees were announced yesterday. The award, named after famed Golden Age cartoonist Will Eisner (creator of “The Spirit” and a graphic novel innovator), are awarded each year at the also-famous San Diego Comic-Con during the summer. The Eisner is usually considered the highest award in the comic book/graphic novel medium. A similar award, the Reuben, is awarded by the National Cartoonists Society to newspaper comic strip cartoonists. Superheroes (mostly) need not apply here, as most nominees/winners tend to be from independent or smaller-press artists.

You’ll notice I haven’t written much about the Eisners in the past. That might be due to my not usually having read most of what’s nominated, similar to the Oscars usually nominating movies I haven’t seen or didn’t want to see. My esoteric tastes in comics also don’t help much in that regard. Still, I thought I’d give writing about some of the categories ago, at least for those where something I’ve actually read has been nominated.

Fantagraphics (publisher of various graphic novels) dominates this year’s nominees, followed by Image (thanks in part to “Saga”) and IDW. Other publishers also put in appearances, of course. Boom Studios earned four nominations, thanks to “Adventure Time.” Marvel saw seven nominations (plus one shared one) largely thanks to “Hawkeye” and its “Wizard of Oz” adaptation. DC, meanwhile, only saw two nominations (plus one shared one), for “Batwoman” and Vertigo title “The Unwritten.”

A full list of nominees are available here.

Best Humor Publication

  • Adventure Time, by Ryan North, Shelli Paroline, and Braden Lamb (kaboom!)
  • BBXX: Baby Blues Decades 1 & 2, by Jerry Scott and Rick Kirkman (Andrews McMeel)
  • Darth Vader and Son, by Jeffrey Brown (Chronicle)
  • Naked Cartoonists, edited by Gary Groth (Fantagraphics)

I’ve read the newspaper comic strip “Baby Blues” in the past, though haven’t read it much recently. The publication in question here is a 20th anniversary hardcover collection of highlights from the strip’s run. The other nominees include: what I assume is a trade paperback of the “Adventure Time” comic (which has various other nominations this year); “Naked Cartoonists,” a collection of cartoons by various cartoonists showing themselves (mostly) naked; and “Darth Vader and Son,” a series of cartoons showing what’d happen if Vader himself really did behave as Luke’s father (in a suburban-Dad-meets-”Star Wars” way). No idea which one will win it all here…

Best Archival Collection/Project—Comic Books

  • Crime Does Not Pay Archives, edited by Philip Simon and Kitchen, Lind & Associates (Dark Horse)
  • David Mazzucchelli’s Daredevil Born Again: Artist’s Edition, edited by Scott Dunbier (IDW)
  • Wally Wood’s EC Stories: Artist’s Edition, edited by Scott Dunbier (IDW)
  • Walt Disney’s Uncle Scrooge: Only a Poor Old Man, by Carl Barks, edited by Gary Groth (Fantagraphics)
  • Young Romance: The Best of Simon & Kirby’s Romance Comics, edited by Michel Gagné (Fantagraphics)

I’ve read the “Uncle Scrooge” compilation, and it’s quite nicely done, including a section discussing each story reprinted. The other nominees include: “Young Romance,” the pioneering romance comic; “Crime Does Not Pay,” the also-pioneering crime comic; “Daredevil Born Again: Artist’s Edition,” a volume reprinting artwork from the classic mid-1980s Daredevil storyline “Born Again”; and a collection of EC Comics work by artist Wally Wood (later the co-creator of DC Comics’ Power Girl). Again, not sure which one would win the award here, though they’re all classics.

Best Comics-Related Periodical/Journalism

I’ve read most of the above listed sites/publications before. I’ll note that most of the nominees don’t belong on the “periodical” side, reflecting the Web’s dominance in modern comics journalism. I usually read Comics Alliance and Robot 6, and have also read some of “Alter Ego.”

Apr 152013
 

Life With Archie #31Here’s what’s of interest from Archie Comics for July 2013. Full solicitations are available here.

Comics

  • Archie #646, on sale July 31, $3
  • Betty and Veronica Double Digest #214, on sale July 24, $4
  • Jughead Double Digest #195, on sale Aug. 7, $4
  • Kevin Keller #10, on sale Aug. 7, $3
  • Life With Archie #31, on sale July 10, $4
  • New Crusaders: Dark Tomorrow #4, on sale July 31, $3

Trade paperbacks

  • Kevin Keller 2: Drive Me Crazy, on sale Aug. 7, $12

Comments

For the Sonic and Mega Man fans, their crossover (yep, a crossover in Archie) finally concludes this month.

But of bigger interest is this month’s Kevin Keller. After months of my pondering when (since it can’t be “if”) we’ll finally see Mr. Keller kiss someone, it looks like it’s finally coming in this month’s issue! Though there’s no indication whether a “goodbye kiss” means a kiss on the cheek (which still seems cop-out-ish versus the smooching levels Archie engages in) or actually on the lips. Still, I look forward to seeing this issued.

Kevin also sees the second trade paperback compilation of his solo series come out this month. This collection covers issues #5-8, including the George Takei appearance. For those interested, a trade paperback of the Archie/cast of Fox’s “GLEE” crossover is also coming out this month.

Nice “Life With Archie” and “Archie” alternate covers (retro-50s looking).