May 172013
 

Ultimate Comics Spider-Man #26Here’s what’s of interest from Marvel for August 2013. Full solicitations are available here.

Comics

  • Ultimate Comics Spider-Man #26, $4

Trade paperbacks

None.

Comments

As I said for July, my reading of Marvel’s slacked off. I really wish they’d make like DC and offer their single-issue books digitally for Nook/Kindle/Google Play instead of just Comixology. Still, I’ll recommend the above books anyway…

This month apparently sees another huge crossover featuring Thanos. Also, the build-up for “Guardians of the Galaxy” continues…

Apr 282013
 
Burt Ward at C2E2 2013

Burt Ward, at the 60s Batman TV show panel.

I’ve finished attending yet another C2E2 comic-con in Chicago. Here’s a summary of my experiences at this year’s show:

The line this year to get in was long as usual. For some reason, I didn’t see a ton of costumes while in line, though two guys near me were dressed as (in their words) “Batman cosplaying as Superman” and “Spider-Man cosplaying as Captain America.” The Batman/Superman guy had apparently heard of the Composite Superman when I mentioned to him that minor villain.

Of course, once in the show there were a lot more costumes; among the others:

  • The X-Men
  • Quail-Man (from the 90s Nickelodeon cartoon “Doug”)
  • A headless woman in a wedding dress (complete with fake blood)
  • Some warriors in costumes made entirely out of old beer cans and beer carton boxes
  • Captain Marvel (the Marvel/Carol Danvers version)
  • The Scarlet Witch
  • Starro
  • Captain Marvel (the “real” one, though given DC’s current treatment of “Shazam,” I’d argue otherwise…)
  • Black Adam
  • Captain America
  • Aquaman
  • Cable
  • Iron Fist
  • Green Arrow
  • Superman
  • The main cast of the TV “Young Justice” cartoon
  • A man dressed as Black Canary
  • Jesus Christ (two of them!)
  • Multiple people dressed as the Doctor from Doctor Who, including the modern version of the Doctor (lots of bow ties at the show), as well as the Fifth Doctor (whose actor was appearing at C2E2).

The only panel I really got to attend was seeing part of the 60s Batman TV show panel. Burt Ward and Julie Newmar were there, describing their experiences on the show to the audience. However, Adam West due to an injury wasn’t able to attend. I also tried to go to the Marvel panel, but I got turned away; the panel room was completely full. So full they also had to turn away others that were still waiting in line…

While I didn’t get to see Svengoolie, I did get to see some writers/artists in Artists’ Alley. I spoke with Thom Zahler (of “Love and Capes“), who I asked a few questions about his most recent trade paperback, “What to Expect.” While I’m not a “brony,” I also asked a few questions about his work on the current “My Little Pony” comic. I also congratulated him on his recent engagement announcement.

Another artist I got to see was Joe Staton, a long-time artist who drew one of my favorite superhero stories, the origin of the Justice Society in 1977′s “DC Special” #29. However, I left my copy of such at home, so instead I bought from him a recent Archie trade paperback that he’d drawn (which he also signed).

I also met Yale Stewart, the writer/artist of the webcomic “JL8,” about the Justice Leaguers as grade-schoolers. I asked him about the name change for his strip; originally it was called “Little League,” but changed due to the baseball organization’s protesting.

Finally, I bought the usual comic-con knick-knacks, including a bobblehead of Darth Vader. I did buy some comics as well, including: the first black-and-white reprint volume of the “Sabrina the Teenage Witch” manga run;  a few issues of “Aw Yeah” comics (an independent effort from the creators of “Tiny Titans”); and a volume of the indie series “Princeless” (praised on the blog Comics Worth Reading). However, I haven’t bought as big a pile of comics as usual. Reasons why include: having filled in many of my desired back issues or not finding what I wanted; a switch to buying mostly digital comics; and that C2E2 for some reason seems to have way fewer DC trade paperbacks for sale versus Marvel material.

Speaking of DC/Marvel, DC didn’t have a booth at this year’s show, for unexplained reasons (DC apparently refuses to state why). I’ve seen some suggest the cost of renting floor space at McCormick Place as why the no-show. (Bleeding Cool suggests a lack of a booth might also be to either save on set-up and take-down costs or to avoid people asking too many questions about DC’s embarrassing spate of recent decisions.) However, if said rumors are true, it’d sound quite odd for one of the two dominant comic companies to skip one of the midwest’s biggest comic-cons. DC did still hold panels at least, but that’s not fully the same as actual floor space, which Marvel’s booth took up plenty of (and prominently featured near the entrance). Since marketing’s a reason for comic creators appearing at comic-cons, and since DC supposedly wants to promote the “New 52″ and all its current New 52-ness (Superman/Wonder Woman pairings, Clark Kent “fighting the power” as a blogger, and all), not having a floor booth at a major midwestern show sounds odd from a marketing standpoint. With a major Superman movie due out in a few months that parent company Time-Warner’s hanging all its future movie hopes on, I’m not sure any cost-savings (even at McCormick Place prices) is worthwhile. Meanwhile, Marvel definitely hyped up “Iron Man 3″ at its booth, and even offered promotional material tying into “Guardians of the Galaxy,” which isn’t due until 2015.

However, given my dislike of the “New 52,” I guess I can’t say I’m too disappointed. Despite being a fan of DC’s characters, most of what I was interested in at this year’s show were from smaller-press companies, Marvel, or independents…

Overall, I had fun at this year’s show, even if I only went down for one day. Staying overnight in Chicago instead of going straight back to Milwaukee, however, lessened feeling “rushed” like I did last year.

Finally, here’s the photos I took of this year’s show:

http://www.flickr.com/photos/mechanikat/sets/72157633373465090/with/8690559456/

Apr 122013
 

Ultimate Comics Spider-Man #25Here’s what’s of interest coming out from Marvel for July 2013. Full solicitations are available here.

Comics

  • Ultimate Comics Spider-Man #25, $4

Trade paperbacks

None.

Comments

I admit my reading of Marvel’s slacked off lately; thus the lack of “picks.” This includes keeping up with Miles Morales’ book. I’ve been attempting to wait for the trade paperback versions of “Ultimate Comics Spider-Man” in an attempt to save money (by borrowing them from the public library). There’s also that Barnes and Noble doesn’t carry much of Marvel’s output digitally. However, seeing how glacial trade paperbacks are being released (and again, not easily finding non-Comixology digital Marvel material) isn’t going so well so far.

Marvel’s solicitations seem to be honest, in spite of their current sequel/prequel/mega-crossover-laden nature. (Such as the one for “Thanos Rising” #4: “Thanos kills a lot of people.”)

In anticipation of the eventual “Guardians of the Galaxy” movie, Marvel seems bent on pushing the characters as much as possible lately, presumably to make them familiar to comics fans by the time the movie’s out.

Apr 092013
 

ComixologyComixology’s “700 free Marvel #1′s” comic promotion brought its service to its knees some time ago, forcing them to bail out on the offer. The fiasco also pointed out the flaws in Comixology’s DRM/cloud-based model. (This would’ve been one situation where torrenting would actually have a legit/useful purpose…)

Now they’re trying the offer again, in a more organized manner. Until midnight EST tonight (11 PM Central Time), the promo’s available, but only by signing up at a special Comixology page (http://promo.comixology.com). Comixology will then email you a special link, good for accessing/downloading the comics within 48 hours of receiving said link.

We’ll see if this goes better; I assume they’ve leased out extra server space for the 48-hour period.

Mar 152013
 

Ultimate Comics Spider-Man #24Here’s what’s of interest from Marvel for June 2013. Full solicitations are available here.

Comics

  • Ultimate Comics Spider-Man #24, on sale June 19, $4

Trade paperbacks

None.

Comments

This month’s Ultimate Spidey brings the Ultimate versions of…Power Pack. In the regular Marvel Universe, they’re a group of kid siblings who fight crime with superpowers. Can only imagine what their “Ultimate” versions will be like (cynical teenagers?).

Mar 122013
 

ComixologyThe big comics story this week so far has been Comixology, the popular (and dominant) digital comics vendor, being inaccessible for most of the past few days. To summarize: Marvel made an offer for 700(!) free first issues of various comics via Comixology. The offer was supposed to have run starting Sunday through the next few days. However, Comixology apparently didn’t have the server capacity (or bother to temporarily rent out extra capacities) to keep up with the demand, and the entire site crashed/came to an unusable crawl. Not only could customers access the Marvel offer, but no other vendor (DC, Archie, small-press companies, etc.) could sell any of their books, either. Marvel rescinded the offer (“for now”), and Comixology is now back up and running. Comics Alliance details the whole ugly mess here.

I’ve written about the downsides of Comixology‘s proprietary model for its comics before (your purchases just being glorified rentals you don’t own, DRM, etc.), but this sums up why the comics industry relying on a single digital comics vendor is a bad idea. At least DC and Archie have recently started offering their same-day digital books through Kindle, Nook, and Kobo, so they’re in better shape than Marvel and others that solely use Comixology/Comixology-based apps for their same-day digital books. Ditto Dark Horse (which uses its own proprietary DRMed app), plus indie/smaller-press sellers offering digital books on their own (without DRM). Imagine if Comixology‘s woes had continued through Wednesday, a.k.a. new comics day: I could go to Nook, Kindle, etc. and still buy the newest DC or Archie fare, but not so much Marvel’s. Still wonder why the comics industry stampeded to basically adopt a digital version of the Diamond monopoly model for physical comics…

And yes, I’ll say again that DRM in digital comics still needs to go. The comics are already easily available via piracy sources (torrents, Usenet, etc.), and the attempt at locking users into one specific comics app/vendor is ludicrous, heavy-handed, and short-sighted. Said flaws would be made even worse if, say, Comixology went out of business (if this week’s any indication, Comixology’s customers might be left high and dry).

To wrap things up, here’s a link to a post I wrote about digital comic alternatives to Comixology.

Feb 272013
 

staticRecently, there’s been much discussion online about the diversity problems facing the “mainstream” (read: DC and Marvel) comic industry. Particularly for African-Americans, the odds of working for DC or Marvel at all are apparently nearly nil. Out of their 70+-year-long histories, Marvel and DC have hired only about two dozen writers for an ongoing series (“ongoing” defined as two or more issues), per this Google Docs spreadsheet.

Among reasons for a lack of diversity at the “Big Two” I’ve seen cited: the limited-circle nature of the superhero comics industry (“hiring who you know” and all that); the same historical racism issues present in other American entertainment industries (movies, television, etc.); the general head-in-the-sand nature of Marvel and DC that’s led to their other problems (lack of diversity of genres/product, pricing, availability, etc.); and so forth.

I’d also add to the above problems with attracting any fresh, original talent (of any race, gender, etc.) in general: why should a writer contribute one’s best ideas for Marvel/DC (and see Marvel/DC own them lock, stock, and barrel) when they can publish them themselves at Image, etc.? Given the success of independent comics like  “The Walking Dead,” as well as various successful webcomics, etc., I can see why even the Wall Street Journal (the nation’s top business newspaper) has pointed this out.  (So did The Comics Beat, in case there’s any future issues re: the Journal link.) It also doesn’t help when DC itself is driving off some of their veteran talent recently (the high turnover rate on the Superman books, etc.).

Overall, if one’s not married to superheroes (which “mainstream” usually gets cited as being), there’s plenty of other comic companies (and independent comics/webcomics) for minority cartoonists to write/draw for. There’s also the fact that with the changing demographics of the United States (i.e. more ethnic minorities, openly LGBT folk, etc.), it’ll be quite foolish for any business, especially in the entertainment industry, to ignore said issues in the long run. This just makes Marvel and DC’s lack of truly fixing their broken business model even more problematic for them in the future.

Others online have written in recent weeks/months about Marvel and DC’s diversity issues:

  • An article by Hannibal Tabu about Marvel/DC not hiring Black writers.
  • Joseph Hughes‘ article on Comics Alliance about Marvel/DC diversity.
  • The Comics Beat also has an article.
  • An article from last fall by Comics Alliance, which mentions Kevin Keller’s success as a positive aspect of diversity driving sales.

 

Feb 152013
 

Ultimate Comics Spider-Man #23Here’s what’s of interest from Marvel for May 2013. Full solicitations are available here.

Comics

  • Ultimate Comics Spider-Man #23, on sale May 15, $4

Trade paperbacks

None.

Comments

Marvel seems well in the grip of the latest mega-storyline, “Age of Ultron.”

This month’s “Ultimate Comics Spider-Man” cover seems to mimic the various “Spider-Man No More” stories… plus probably fits the line of various other “a superhero quits” covers, as this blogger notes.

 

Jan 202013
 

Ultimate Comics Spider-Man #22Here’s what’s of interest from Marvel for April 2013.

Comics

  • Ultimate Comics Spider-Man #22, $4

Trade paperbacks

  • Spider-Man: Danger Zone (TPB), $20
  • Spider-Men (TPB), $20
  • Ultimate Comics Spider-Man, volume 3 (TPB), $20

Comments

This month sees mass quantities of whatever the heck “Age of Ultron” is about. In case anyone forgot who Ultron is like I did, here’s his Wikipedia entry. Very long story short, “evil robot.”

Meanwhile, last year’s “Spider-Men” five-part crossover between Peter Parker and Miles Morales is being collected. Not read it (since I was already paying twice a month for “Amazing”), so I’ll be looking forward to the trade paperback.

 

Dec 242012
 

Star WarsAs I figured would happen, Disney’s announced it will be acquiring the license to produce “Star Wars” comics from comics publisher Dark Horse. The new Marvel-produced books (Marvel now being under Disney’s ownership), however, won’t come out until 2015 (in time for the upcoming new “Star Wars” film). The existing Dark Horse license is to expire after 2013.

That seems a bit of a wait for new “Star Wars” comics material, especially after Dark Horse having handled the comics for so long. I presume the new Marvel-published comics will tie into the upcoming film.

Marvel has had the “Star Wars” license before, though Dark Horse has been the longest-lasting publisher of “Star Wars” comics. This also keeps with Disney having (re)acquired the Pixar and Disney character licenses from Boom! Studios after they bought Marvel, though so far, they haven’t done much with either. Besides some reprints of Pixar material, there’s currently no Donald Duck or Uncle Scrooge comics (or long-running title “Walt Disney’s Comics & Stories”) being published in the US.